Trend Set: Gaming, Melody Ehsani And YouTube Shorts

Ayzenberg trendsetter Ashley Otah takes a look at new research that shows most of us are gamers, among other major trends this week.


Gaming

Gaming—it’s for everyone. In new research from Activision Blizzard Media, 66 percent of those surveyed said they had played video games with others either online or in person. In addition, 62 percent of participants said they opted to play video games with others because it’s fun to share the experience with someone else. Lastly, 84 percent of gamers play mobile titles at least once a week, primarily because of accessibility. The key is to carve out space for brands to harness this power to fuel interaction and engagement. As gaming culture continues to boom, it helps connect people, drive communities and create positive conversations globally. 


Beats By Dre x Melody Ehsani

In a new collaboration, Beats by Dre and fashion designer Melody Ehsani transport viewers into a new world with powerful animation. The film’s mix of music and flair encapsulates what it means to be yourself while taking steps to elevate the game. The result highlights how bringing a new spin on a classic can take brands to a new level. 


YouTube Shorts

YouTube is taking Shorts to the big screen. What does that mean? Users will be able to watch the short-form videos on their smart TV, gaming console or other streaming devices. This pivot is similar to that of its counterpart, TikTok, which helped the platform reach wider audiences. The at-home viewing experience adds another dimension to the easily surfable platforms. This move showcases a mixing of mediums and, if tailored just right, can bring new life into booming ideas. 

Takeaways From Elon Musk’s Live Twitter Q&A

As Twitter boss Elon Musk faces advertiser flight and brewing controversy over his layoff of thousands of Twitter employees, including 15% of its Trust and Safety staff, he took to Twitter Spaces to respond to questions and deliver his take on the last few weeks. We’re sharing six takeaways based on participants’ questions below.


Musk knows that his personal brand is co-mingled with Twitter’s—and that it can be an issue.

“Twitter cannot simply be some extension of me because then anyone who doesn’t agree with me will be put off. So, Twitter must be as a platform as neutral as possible. That doesn’t mean I am. But it is important to have broad acceptance, and the platform be neutral and as inclusive as possible to the widest demographic possible. That is the only path to success”.


Brands want scale, relevance, brand safety, suitability and the ability to measure ROI: Twitter has got some serious work to do in these areas.

“I think we’re probably not doing great on any of them. We’re doing okay on some (of these); we’re terrible at relevance. And one of the ways we’re going to address that is by integrating ads into recommended tweets. So the relevance of recommended tweets is much better than the relevance of the ads. Because they’re two different engines, we need to have them be the same software stack. So I’ve reorganized Twitter software from having three different software groups to having one, that’s occurred just in the past week. So we really need to improve the relevance of the ads. If an ad is highly relevant and timely, then it’s really information. Like, it’s something you might actually want to buy when you want to buy it, that’s great. But if it’s something you’d never want to buy, then it’s annoying. And it’s spam. And that doesn’t serve the advertiser or the user. So that’s incredibly important to improve that. So that’s a major priority. And I think you’ll see that get way better in the coming months.”


Musk sees brand safety as a key driving factor in advertisers’ willingness to work with Twitter.

“When I hear brand safety, what I think I’m hearing is that we need to make sure that the brand overall is protected reputationally in the long term. So that, you know, there may be something that drives short-term sales, but it’s next to hateful content. And that may drive short-term sales, but it’s ultimately detrimental in the long term. So if I would put myself in the CEO / CMO position of any advertiser, I’d say, ‘Well, I want to make sure we do drive sales in the short term, but we’re also not doing anything that damages our reputation in the long term.’ So we obviously need to address both shorter and long-term factors.


Video is a key area that Musk plans to develop on Twitter and eventually connect to verified profiles

Video is definitely an area where Twitter has been historically weak, and it is an area that we’re going to invest in tremendously. I did ask people what (they thought) about Vine, not that we would want to resurrect Vine in its original state, but just would they want a ‘Vine-like’ thing, but reimagined for the future. And people were excited about that,” Musk said.

He continued on the topic of increasing video length for verified Twitter users: “There are a bunch of fundamental tech technology architecture changes needed at Twitter to support significant video. So, we’ve got to make those core software upgrades and server upgrades to support a large amount of video, but we are going to do that. It’s kind of a no-brainer.”


Musk envisions Twitter as a future ecosystem for content creators to monetize their content and manage earnings easily

We also need to enable the monetization of content for creators. And if we provide creators with the ability to post what they create on our platform, and to monetize it, at a rate that is at least competitive with the alternatives, then, of course, creators will natively post their content on Twitter; why not? So those are, those are kind of no-brainer moves. Then – tied to paid verified accounts from someone who has been authenticated by the sort of conventional payment system. Now we can say like, okay, you’ve got a balance on your account. Do you want to send money to someone or money to someone else [on] Twitter? And maybe we pre-populate the account and say, ‘Okay, we’re gonna give you 10 bucks, and you can send it anywhere within Twitter. Then if you want to execute, get it out of the system, then, okay, well, now you send it to bank accounts, attach an authenticated bank account to your Twitter account, then the next step would be this offer an extremely compelling money market account to get an extremely high yield on your balance, then why not move cash into Twitter? And then add debit cards, checks and whatnot. And I think it will just basically make the system as useful as possible. And the more useful and entertaining it is, the more people will use it.


Musk sees Twitter as a future hub of one-click social shopping

We’ve got a lot to do on the software side, I can’t emphasize that enough. So we’ve got to write a lot of code here. And we’ve got to change a bunch of the existing code base. We want advertising to be highly relevant and timely. How do we get the ad to be as close to content as possible? I mean, if you are shown an opportunity to buy something that you actually want when you want it, that’s great. That’s content. Then from a commerce standpoint, if you’re able to buy things quickly, you know, effortlessly on Twitter, with one click, that’s like—that’s great. Like, the more we don’t want to make buying things inconvenient or require, you know, going through many steps, the easier it is to get to obtain the product or service that you want, the better it is for the user.

Volkswagen Names Google’s Nelly Kennedy As New CMO; New Hires At TikTok, Impossible Foods, Big Lots

TikTok and brands including Volkswagen, Impossible Foods and Big Lots highlighted their new chief marketer appointments. Here’s what we’re tracking this week:


Nelly Kennedy Named Next Volkswagen CMO

Nelly Kennedy, Google’s senior global brand marketing director, will become Volkswagen’s new CMO in February 2023. Kennedy, who has more than 22 years of professional experience, worked as executive director of digital at Conde Nast before moving to Google, where she worked for over seven years. “As the new Chief Marketing Officer, Nelly Kennedy, together with her team, will help turn Volkswagen back into a true people’s brand,” Volkswagen CEO Thomas Schäfer told the outlet.


Kate Jhaveri Appointed Global Marketing Officer At TikTok

Kate Jhaveri, former CMO for the NBA, has been appointed global marketing officer at TikTok. Jhaveri, who has more than 33 years of professional experience, worked previously as CMO and SVP at Twitch before joining the NBA in 2019. Jhaveri will direct brand and consumer marketing as well as platform marketing for the company.


Leslie Sims Named Impossible Foods’ First CMO

Leslie Sims will serve as chief marketing and creative officer for Impossible Foods starting in January 2023. Sims, who has more than 30 years of professional experience, was previously chief creative officer at Deloitte Digital. Sims will direct the company’s efforts to amplify brand awareness and marketing strategy.


Deezer Hires Maria Garrido As CMO 

French audio streamer Deezer has named Maria Garrido as its new CMO. Garrido has more than 35 years of professional experience and previously served as SVP for Vivendi. Garrido will execute marketing and brand strategy for the company globally. “I am honored to join Deezer,” Garrido said in a press statement. “It’s an exciting time to become a part of this tech and entertainment gem, as it steers a course towards transformational growth.”


Big Lots Hires New Marketing Leads

Big Lots has named Margarita Giannantonio as executive vice president and chief merchandising officer. Giannantonio, who has more than 35 years of professional experience, will direct the brand’s merchandising strategy for all product categories. John Alpaugh, who has more than 35 years of professional experience, has also been appointed senior vice president and chief marketing officer. Alpaugh will manage Big Lot’s brand and marketing strategies as well as strategy executions.


Other recent CMO updates you may have missed:

  • Pizza Express hires Stephen Taylor as CMO
  • Mud\WTR, a coffee alternative brand, has appointed Mike Fox as its first CMO
  • Ruben Desai departs as Dole Sunshine CMO

Navigating Hyper-Growth With John Taylor, CMO At AMD

As CMO during a time of hyper-growth and record-breaking acquisitions, John Taylor is constantly evolving AMD’s marketing approach and working to advance the company’s identity. By moving from a “product first” to an “audience first” method, AMD has been able to navigate rapid changes and foster a high level of confidence in the future by directly engaging with customers and being intentional with the culture they are creating.

In this episode, John and I discuss the importance of building trust and affinity around your brand, why marketers need to see how their message lands directly, and ways to leverage industry partnerships.


In this episode, you’ll learn:

  • The importance of communicating directly to your most discerning consumers
  • What role a CMO plays in the company culture
  • Why AMD decided to create their own Brand Platform

Key Highlights

  • [03:30] John’s path to becoming a CMO
  • [07:00] What is driving the” hyper-growth” at AMD?
  • [09:00] How acquisitions affect marketing strategies
  • [11:20] Evolving marketing efforts as the business grows
  • [12:40] Understanding a complex go-to-market matrix
  • [14:00] Investing in technology to increase and measure the impact
  • [14:50] What makes a good CMO?
  • [16:45] How AMD is approaching marketing today
  • [20:30] Why marketing teams need to lean into PR
  • [23:00] John’s approach to leadership and culture
  • [26:40] What is “Together We Advance”?
  • [31:30] The mentors that shaped John
  • [34:15] Why young people should take on big challenges
  • [35:30] The benefit of delivering the story you’re trying to tell in person
  • [37:20] The brand John thinks we should watch
  • [38:00] The importance of sustainable computing
  • [38:55] Balancing the need for data and the ever-changing data landscape

Resources Mentioned:

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Connect with Marketing Today and Alan Hart:


Alan B. Hart is the creator and host of “Marketing Today with Alan Hart,” a weekly podcast where he interviews leading global marketing professionals and business leaders. Alan advises leading executives and marketing teams on brand, customer experience, innovation, and growth opportunities. He has consulted with Fortune 100 companies but is an entrepreneur at his core, having founded or served as an executive for nine companies.

TikTok Made Me Play It: Four Takeaways From TikTok’s First Gaming Webinar

TikTok recently hosted a webinar to showcase the platform’s most successful use cases in game discovery. The webinar, introduced by TikTok’s Blake Chandlee, president of global business solutions, highlighted TikTok’s success as a game discovery platform as well as its ability to provide new collaboration opportunities for brands. Other hosts included:

  • Assaf Sagy, Head of Global Gaming, Global Business Solutions, TikTok
  • Julia Victor, Head of Brand – The Sims, Electronic Arts
  • Naor Itzhak, Senior Director of Creative Marketing, Playtika
  • Sami Thessman, VP of Global Marketing, 2K
  • Ioana Hreninciuc, Chief Product Officer, Homa Games
  • Vincent Tan, Senior Marketing Manager, VNG

Below, we’re sharing four key takeaways from the event.


Cultural Shifts Have Transformed The Way Game Marketers Launch And Promote Games

According to Chandlee, TikTok is benefiting from game publishers’ desire to create more impactful marketing campaigns by taking a different view on how to approach gamers.

“Leading publishers are completely changing the way people discover and play their games,” Chandlee told attendees. “They’re building mainstream culture through entertainment. They’re innovating and finding new players for their games through organic and paid [search] and running live event campaigns.”

“Gaming is now mainstream entertainment. They’re not only about playing anymore; they’re about engaging with culture,” Sagy said. “This shift in consumer behavior also drove evolution in our industry. Leading publishers have elevated their strategies. They’re now focused on launching games [to a] mass market. They’re targeting very broad audiences. They’re building cultures around their games as entertainment brands. With TikTok, you can build the hype required for a successful launch and can engage with mass audiences rapidly. You can design a culture around your game driven by the power of the community and generate performance results in the next few minutes.”


TikTok Is A Must For Game Publishers Seeking New Audiences

According to the company, TikTok has produced some exceptional metrics in game discovery and game brand engagement:

  • 75 percent of TikTok gamers discovered new gaming content on TikTok.
  • 41 percent of TikTok gamers co-created on TikTok.
  • TikTok mobile gamers are 70 percent more likely to talk about games on social media.

TikTok Users Are Active Gamers Who Convert Frequently

TikTok users game frequently and respond to messaging around gaming well. According to data gathered by the social media giant’s research partner, marketers who employed TikTok as a component of their marketing strategy saw high conversion rates:

  • 41 percent of users downloaded the game.
  • 26 percent purchased to play.

There Is A Shift From Long-Form To Short-Form Content, And Game Publishers Are Owning It

TikTok boasts one billion users and those users have helped the platform amass billions of hours of gaming content views. Game publishers and gamers are dominating on TikTok. It’s not just because gaming lends itself to quick and addictive Let’s Plays, but because TikTok users see the platform as a place to discover new brands and engage with them. According to the company:

  • On average, TikTok’s gaming audience follows 12 Business Accounts.
  • 61 percent of TikTok users see brands more favorably if they create or participate in a trend on TikTok.
  • TikTok followers are 191 percent more likely to like or comment than non-followers.

View the entire webinar here.

Trend Set: ESPN Sees Future Sports Programmers In TikTok Creators And More

Ashley Otah, Ayzenberg’s resident trendspotter, outlines a few of the trends from our timelines making the biggest waves this week.


Snapchat x Amazon

Snapchat and Amazon have partnered up to introduce a new type of lens that combines fun with functionality. The “Amazon Fashion” profile in the app will allow Snapchat users to try on thousands of different kinds of glasses digitally. The process is facilitated using Amazon’s try-on display options. There has been no slowing the uptick of spending habits, and augmented reality makes it possible to try on anything from anywhere. The partnership further shows how virtual reality and AR will continue to be implemented in everyday life.


Nike

Soccer player Alphonso Davies, who plays for the Canadian national team and Germany’s Bayern Munich, is a rising star on and off the pitch. Davies is set to perform on the big screen at this year’s World Cup, and, although a bright and shining future lies ahead of him, there’s more to his story than meets the eye—and it deserves to be in the spotlight, too.

In a new docuseries from Nike titled “Home,” audiences can follow the stories of those displaced and how they challenge and follow their dreams. Like Davies says in episode two, “Anyone can become a refugee—it’s not something you choose.”


ESPN

It’s no secret that ESPN is trying to reach younger crowds. Their latest idea? Target the online debaters and Bronny enthusiasts out there by utilizing young content creators. The newly launched ESPN Creator Network aims to provide young and rising content creators an opportunity to be given access and resources to develop their sports programming ideas. And while creators will not be compensated, the program will provide them with travel, tickets, access, equipment and a series of courses. The move showcases that TikTok remains the frontrunner in recruiting and retaining fans.

Marketing Leadership Moves At Twitter, Netflix, Esprit, Chamberlin Coffee, And Fabletics

Marketers are making moves this week with executive fallout at Twitter and a brand new advertising team at Netflix, among other appointments. Here’s what we’re tracking.


Twitter Sees Rolling Departures

Twitter is going through a few changes. Twitter CMO and head of people Leslie Berland, who had been with the company since 2016, has departed her position. Berland is a board member of the Ad Council and previously worked at AMEX for over 10 years, last serving as EVP, global advertising, marketing and digital partnerships. Jean-Philippe Maheu, former Twitter VP of global client solutions, who had been with the company since 2013, has also left his position. Maheu was previously CEO at Bluefin Labs and Publicis Modem.


Netflix Adds New Advertising Team

Led by Netflix President of Worldwide Advertising Jeremi Gorman, a new team will manage Netflix’s marketing strategy starting Nov. 14. Former global head of sports strategy and research at Amazon, Julie DeTraglia, will become VP of ads measurement strategy. Adam Gerber, former executive director for U.S. investment strategy at Group M, will serve as senior director for client development. Julie Green, formerly TikTok’s director of global business solutions, will become senior director for vertical sales. Former director of product marketing for YouTube’s ads marketing division, Nicole Sabatini, will serve as senior director for ad partner solutions. Chris Smutny, former director, revenue operations and strategy at Snap, will become senior director for sales operations.


Esprit Names Ana Andjelic As New Chief Brand Officer

Ana Andjelic has been named chief brand officer at Esprit, where she will lead branding and creative strategy at the company’s New York office. Andjelic previously served as chief brand officer at Banana Republic.

“Ana’s extensive experiences in brand building are extremely valuable in bringing Esprit’s global ambitions to life,” said William Pak, CEO at Esprit in an interview with Inside Retail. “Ana will play an indispensable role in enhancing and strengthening our brand, and in turn accelerating our growth.”


Liz Ahern Appointed CMO At Chamberlin Coffee

Chamberlin Coffee has named Liz Ahern, previously director of brand marketing at Carvana, as chief marketing officer. Ahern will lead brand strategy, omnichannel expansion and campaigns.

“Liz is a highly-experienced, ambitious leader in CPG marketing, and I am beyond excited to have her join the team,” said Chamberlain Coffee CEO Christopher Gallant in an interview with Yahoo Finance. “With her extensive knowledge in experiential and product marketing, I am confident that she will be able to build our team and support our growth.”


Fabletics Hires Ilona Aman As CMO

Ilona Aman, previously chief brand officer at ARIA Exchange, will lead brand marketing, creative strategy, retail, digital, membership and public relations at Fabletics.

“We’re focused on Fabletics’ next phase of growth and bringing our loyal community of VIPs even closer to the brand through unique storytelling, highly-customized retail experiences and products that they can’t get anywhere else,” said Don Ressler, co-founder of Fabletics, in a press statement. “Ilona’s creative and dynamic approach to marketing is undoubtedly the right fit for Fabletics, and we’re thrilled to welcome her to the team.”


What you may have missed:

The Importance Of Winning Over Gen Z And Inspiring Action With DeNora Getachew, CEO Of DoSomething.org

DeNora’s experiences as a teenager quickly shaped how she viewed the world and her role in it. With a passion for civic engagement and empowering young people, DeNora found a home at DoSomething.org where she uses social understanding and data to inspire action.

In this episode, DeNora and I discuss why brands should care about their social impact, how Gen Z is forcing companies to evolve, and the Holy Grail of marketing: how to get people to really buy into what we are promoting. 


In this episode, you’ll learn:

  • How DoSomething.org is fueling young people to change the world
  • The “secret” to getting people to take action
  • The power of being intentional, honest, and centering social good

Key Highlights

  • [01:20] The experience that solidified DeNora’s interstate in civic engagement
  • [03:50] Denora’s path to becoming CEO of DoSomething.org
  • [10:20] How DoSomething is meeting the moment to transform the future
  • [14:45] What do young people care about today and why
  • [17:35] Young people have evolved beyond being influenced by the simple CTA
  • [22:00] The impact DoSomething is driving by giving them tools
  • [24:15] The power of being intentional, honest, and centering social good
  • [26:00] Why brands should care about their social impact
  • [27:50] How the role of civic engagement has changed with today’s workforce
  • [28:30] Centering young people in the dialogue may help us find better solutions
  • [31:40] The formative experiences and people that define DeNora
  • [33:15] What is COVID Clarity?
  • [34:00] DeNora’s advice to her younger self
  • [34:55] Marketers have to evolve to meet the upcoming generations
  • [36:30] Three things companies need to consider to stay relevant
  • [38:20] Which brands are connecting the dots between their brand and consumer’s concerns
  • [40:10] Young people are the biggest opportunity AND biggest threat to marketers

Resources Mentioned:

Follow the podcast:

Connect with the Guest:

Connect with Marketing Today and Alan Hart:


Alan B. Hart is the creator and host of “Marketing Today with Alan Hart,” a weekly podcast where he interviews leading global marketing professionals and business leaders. Alan advises leading executives and marketing teams on brand, customer experience, innovation, and growth opportunities. He has consulted with Fortune 100 companies, but he is an entrepreneur at his core, having founded or served as an executive for nine companies.

The Burberry And Minecraft Partnership: High Fashion Is Taking The Metaverse Seriously

When a 166-year-old iconic apparel and accessories brand enters the metaverse with a splash worthy of New York Fashion Week, it’s a signal that fashion may be shifting towards virtual commerce.

Burberry’s new in-game experience for Minecraft: Burberry: Freedom to Go Beyond, allows players to wander a mythical London populated with Burberry-themed characters and motifs. In-game players will have access to 15 free skins to download.

“As the player, you venture into an alternate reality version of London taken over by a malevolent entity called the Nexus,” according to Cristina Anderca writing for Minecraft.net. “Once a place blooming with foliage and gentle animals, this land has been drained of color and life. Its inhabitants have been scattered to the four realms of air, water, fire and earth, and your quest is to restore the spirit of the wild by traveling to each realm, reviving its Nature Guardian, and freeing the animals trapped there.”

This is the third collaboration between the fashion brand and a metaverse or gaming entity: the brand also offered virtual handbags on Roblox earlier this year. In 2021 and again this year, Burberry partnered with Mythical Games launch an NFT collection for its Blankos Block Party, the company’s flagship release. 

Burberry: Freedom to Go Beyond is also available in New York, Shenzhen, London, Tokyo, Seoul, Taiwan, and Bangkok in addition to online. There is also ESG goodwill involved in the launch. According to the press release, “Burberry and Minecraft will make a donation to help protect 500,000 trees and plant 25,000 trees through environmental organization Conservation International and their forest conservation efforts around the world.”


Burberry’s New Partnership With Minecraft Shows The Company Is Serious About Metaverse Commerce

The metaverse’s value to fashion companies like Burberry isn’t just about brand recognition. Consumers who interact with brands in virtual spaces are also providing valuable data to marketers and platforms about their content and entertainment preferences: the more time they spend connected, the easier it is for marketers to find out which types of content sparks their engagement.

According to Burberry’s director of channel innovation and marketing, Phillip Henneche—who spoke with Vogue Business—Burberry now sees gaming spaces as an important customer engagement channel.

“Gaming is a super important channel for us in terms of how we engage our customer,” Hennche says. “We know that it’s a very important passion point for our target markets and consumers. We know that they are there, they are present, and they’re very active in that community.”

But Burberry may also see gaming platforms as a way to open new revenue streams, not just engagement. According to estimates by Morgan Stanley, the market for virtual luxury goods may reach $50 billion by 2030. In-game sales also offer brands like Burberry a way to sell to high-intent consumers at scale without the expense of a physical storefront or having to dip into traditional ad spend. According to Bloomberg, with high margins and no need to discount or manage overstock, fashion brands can glean significant profits from virtual swag that consumers will snap up almost immediately. According to Forbes, Burberry quickly sold out its NFT collection for a cool $400k.

Watch the DLC trailer here.

Twexit: Why It May Be Time To Rethink Social Channels (But Not Run Away)

Like Brexit, very smart, professional people have convincing arguments for abandoning Twitter or staying on board and riding through the (possible) storm. The dustup is causing brand advertisers are rethinking their platform strategies. But shouldn’t everyone?


What The Little Bird Already Told Us

As he famously requested by carrying a bathroom sink into Twitter headquarters, corporate America let Elon Musk’s takeover of Twitter sink in, and then some brands jumped ship—or put their Twitter strategy on hold. It isn’t just that Musk says and does a lot of controversial things or that—as in the case of General Motors and Ford—he also runs a direct competitor to their businesses. The concern is what could happen to Twitter, according to at least 12 major brands that requested their agency of record to pause their Twitter campaigns, as reported by The Wall Street Journal.

Many brands and influencers have voiced concern about Twitter sliding into questionable territory with respect to fringe politics. To Twitter’s credit, the company already admitted many of its issues, ranging from algorithmic bias to audience measurement, long before Musk bought the company.

In October 2021, the company told the BBC that its algorithms were causing the platform to surface some content in users’ feeds based on political alignment. After reviewing millions of Tweets sent in 2020, Twitter’s researchers presented evidence that its algorithms automatically promoted content with specific political leanings in Canada, France, Germany, Japan, Spain, the U.K., and the U.S.

Twitter has also made no secret of its issues with audience estimation. In August, the company revealed that 23 million accounts, representing 8.5 percent of its user base, were bots. The company also stated in September that it had overstated its audience by nearly two million since 2017, according to the Financial Times. This is not a huge percentage of its total user base, but it matters. Also, Twitter’s heavy tweeters, which account for less than 10 percent of users, generate 90 percent of the platform’s content and half of its revenue. According to Reuters, an internal report states that heavy tweeters have been in steady decline since 2020.

Then, there is the issue of problematic ad placement. Just last month, Coca-Cola, Disney, Dyson, Forbes, PBS Kids, and others found their ads next to tweets soliciting child pornography and subsequently paused or canceled their campaigns. The issue isn’t due to a lack of vigilance on Twitter’s part, however. It appears to be an issue of scale. If Twitter, or any other social media platform, is unable to identify and block inappropriate content, algorithms simply do their work and place ads where they are likely to find an interested audience.

According to The Verge, a research team assessing Twitter’s ability to detect exploitative content at scale consistently admitted the platform currently lacked the tools necessary to launch its version of an adult content business with a paywall, as it was still struggling to manage its existing filtering efforts. According to The Verge, which quoted an internal Twitter report, Twitter’s efforts to filter out offensive or illegal content—the type of posts the platform bans in its terms of service—sometimes fail, and if these failings continue unchecked, it may place Twitter at “legal and reputational risk.”

But that’s the kind of risk that social media platforms and brands with their own online communities face constantly. Twitter’s issues are social media issues: A change in Twitter’s leadership may make those posting inappropriate content feel like it may be easier to fly under the radar; there’s no place that will be friction-free for brands.

Fleeing Twitter won’t solve fundamental technical and human resource problems that make it difficult for social media platforms to keep ads and inappropriate content apart. That’s also true for other problems like audience measurement and algorithmic bias: they are everywhere and brand marketers must do the work—monitoring and calling out inconsistencies in brand safety policies or performance reporting—wherever they land in social media. Considering a Twexit? Here are three things to keep in mind:

It’s Time To Decouple Audience From Platforms

It may be wise to rethink social media strategy and decouple a pursuit of audience from a specific platform. Your Twitter audience is also likely elsewhere on social, so focus on content and the value that your messaging will bring at that moment. Your messaging should be relevant to your audience wherever they are. If your audience leaves Twitter, your marketing strategy should be agile enough to adapt quickly.


Leaving A Platform Means Leaving Its Unique Context—And Its Potential For User Engagement

According to Hootsuite, 65 percent of Twitter users lean toward or identify as Democrats, 42 percent hold college degrees, second only to LinkedIn, and 30 percent are women. While only 0.2 percent of Twitter users use the platform exclusively, your messaging may miss a vital context for specific audience segments. When building brand awareness, be just as audience-aware as you are context-savvy. Deliver a message that makes sense for your potential audience and for how they tend to interact with content or ads on Twitter as opposed to other platforms.


Be Vigilant: Don’t Leave Your Brand’s Safety To An Algorithm—Anywhere

Keep up with brand safety standards (like Twitter’s) and, if possible, keep tabs on the keywords users employ to arrive at content that appears next to your ads through your ad manager. While Meta is introducing a new tool to show brands where their ads appear in users’ feeds and allow them to block post content types on a more granular level, Twitter’s new boss has promised to help keep brands safe but offered no specifics. That may change, but brands can protect themselves best by maintaining and keeping watch over ad placements and ensuring that marketing strategy plans include trusted brand-safe environments that can accommodate campaigns if (or when) a Twitter-exit becomes necessary.