Disney Scrambles Up A New Hip Webseries

by Allen Weiner

Times have changed over at the Walt Disney Company since Steamboat Willie and the glory days of Snow White and The Mickey Mouse Club. Web cartoons the likes of Two More Eggs proves that despite its buttoned-up image, Disney is not afraid to occasionally push the envelope—just as it did 75 years ago with Fantasia. (Yes, it’s been that long).

Two More Eggs, which is part of Disney XD’s official channel, is an animated short from the pens (well, more likely the keystrokes) of the Brothers Chaps, Mike and Matt. Creators of the popular series, Homestar Runner, their latest effort is a rather curiously odd short that features a new episode every Tuesday. Our hero (well, that may be a stretch) is a creature named Dooble who bops merrily around in a goofy orange hat singing a strangely hypnotic theme song. The short description that accompanies the episode says Dooble’s life is a “jox box.” That may explain why he sounds like he’s either had way too many or taken too many hits to the helmet.

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This article was originally posted on VideoInk and is reposted on [a]listdaily via a partnership with the news publication, which is the online video industry’s go-to source for breaking news, features, and industry analysis. Follow VideoInk on Twitter @VideoInkNews, or subscribe via thevideoink.com for the latest news and stories, delivered right to your inbox.

Facebook Says 10 Seconds Counts As A Video View

If you’ve been unhappy with what Facebook constitutes as a video view, they have certainly heard you. Wall Street Journal reports that the company has decided to provide a new pricing option for marketers to find out which ads are really being watched, by electing to pay for a video ad that plays for at least 10 seconds.

“We don’t believe it’s the best option in terms of capturing the best value and brand objectives marketers care about, but we want to give them control and choice over how they buy,” said a Facebook spokeswoman.

The move is one that shows that while Facebook has been busy ramping up its video business to directly position themselves as an opponent to YouTube, they won’t be doing so without making sure marketers are happy. It’s easy to see why, because ads on the platform are Facebook’s bread and butter, with $3.3 billion of $3.54 billion in revenue coming from advertising. Mobile accounts for 69 percent of that already.

Previously, Facebook’s video ads worked on something similar to a cost-per-impression model, with in-stream autoplay accounting for views/impressions. The option to now weigh each model against the other is now there.

Among marketers and between Facebook and YouTube themselves, what constitutes a real view is still up for debate. For YouTube, that number is 30 seconds, three times as long as Facebook’s.

Presently, Facebook’s video traffic is up to 4 billion views each day, the same number of views YouTube boasted in 2012.

 

Calling All Lara Crofts: Xbox Wants You To Head To Comic Con

Lara Crofts from all over the world arrive in San Diego for Comic-Con next week to represent the spirit and embodiment of one of the most recognizable female characters in gaming. This year, Xbox is bringing them together at the Xbox Lounge on July 11th for a full day of exclusive access to all things Rise of the Tomb Raider which launches this fall

Xbox and Crystal Dynamics are working together with Ayzenberg to promote the event which will culminate in the largest gathering of Laras ever.  The call to Croft cosplayers went out from Crystal Dynamics’ Senior Community Manager, Meagan Marie, via YouTube and prompts those Laras that answer the call to RSVP via Facebook. It even provides a series of instructional videos from influencers like Lady Lemon, Sara Croft, Jenn Croft and more on how to properly cosplay Lara Croft.

Will Xbox pull off the largest Gathering ever We’ll have to see but one thing is certain – there are going to be a lot of badass Lara Crofts at Comic Con this year and we can’t wait to see them!

 

Ooyala Adds Process Power With Nativ Acquisition

by Allen Weiner

Online video publishing platform provider Ooyala has announced the acquisition of media logistics software and services company Nativ, based in London, whose MioEverywhere media logistics platform adds a cloud-based workplace and process management service to the California company’s already rich publishing system.

MioEverywhere has the ability to remotely validate and securely ingestcontent from any source  in a completely secure and transparent environment. As a key part of the process MioEverwhere validates content before it leaves the management console desktop to provide the assurance that video and audio files are in the right format and and aren’t missing anything important (like an audio track).

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This article was originally posted on VideoInk and is reposted on [a]listdaily via a partnership with the news publication, which is the online video industry’s go-to source for breaking news, features, and industry analysis. Follow VideoInk on Twitter @VideoInkNews, or subscribe via thevideoink.com for the latest news and stories, delivered right to your inbox.

A Peek Into Reuters Live Video Syndication Play With Mirror Image

by Jocelyn Johnson

The business of “live” content on the Internet is no easy task. Despite the hype around Periscope and Meerkat, and now most recently “HuffPost 24”, live viewing digitally has consistently faced challenges to seize the type of sustainable audience supports its logistical overhead.  Not to mention the quite obvious conundrum that Live content can become obsolete and difficult to monetize seconds after it airs.

So, try for a moment to wrap your head around the risk-reward of live video being syndicated across the Internet instantly, to maintain real-time relevance for hundreds of publishers and journalists.

But just when master content syndicator Reuters identified that most news outlets grapple with servicing live breaking news, it decided to develop and roll out “Reuters Live Online,” which became available earlier this spring.

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This article was originally posted on VideoInk and is reposted on [a]listdaily via a partnership with the news publication, which is the online video industry’s go-to source for breaking news, features, and industry analysis. Follow VideoInk on Twitter @VideoInkNews, or subscribe via thevideoink.com for the latest news and stories, delivered right to your inbox.

Is Verizon Really Well-Positioned For The Streaming TV Business?

by Allen Weiner

Those who follow the overlapping worlds of online video, streaming services, live online TV, and all of its permutations have short (or perhaps selective) memories. The excitement over Verizon closing the mega-deal to purchase AOL is, to say the least, misplaced. Many believe VZ’s assets in the area of a live-TV platform (the one it bought from Intel), snazzy ad-tech platform (from AOL), and infrastructure pieces (which it calls Acquire) make it a sure-fire bet to launch a successful service to compete with SlingSony Vue, and others who want to place a bet on the video services roulette wheel.

The facts tell us that Verizon will face more than a few challenges in its attempt to innovate in the TV service space. Wait, Verizon already is in the TV services space with an IPTV product called FIOS. What’s this we hear, customers, partners, and municipalities are PO-ed at Verizon for not living up to its promises when given permission to operate in their jurisdiction When the biggest city in the US calls your service “an egregious failure,” what are you chances for goodwill in any future similar endeavors Seven years ago, Verizon promised everyone in New York who wanted the service they would be granted their wish. As many reports point out, that was an empty promise.

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This article was originally posted on VideoInk and is reposted on [a]listdaily via a partnership with the news publication, which is the online video industry’s go-to source for breaking news, features, and industry analysis. Follow VideoInk on Twitter @VideoInkNews, or subscribe via thevideoink.com for the latest news and stories, delivered right to your inbox.

 

Viewers Are Watching Longer Content on Smaller Screens

By Jessica Klein

All around the world, people are increasingly tailoring their viewing experiences to fit their lives—as opposed to the other way around—using mobile devices to watch while they’re on the move and frequently opting for personalized, recommended content.

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This article was originally posted on VideoInk and is reposted on [a]listdaily via a partnership with the news publication, which is the online video industry’s go-to source for breaking news, features, and industry analysis. Follow VideoInk on Twitter @VideoInkNews, or subscribe via thevideoink.com for the latest news and stories, delivered right to your inbox.

 

Lionsgate Hires Seth Laderman To Run Its Comic-Con Streaming Video Service

by Sahil Patel

Seth Laderman has been chosen by Lionsgate and Comic-Con International, the producer behind San Diego Comic-Con, to run a subscription video streaming service the two companies plan to launch in early 2016.

As executive vice president and general manager of the previously announced service, Laderman will be responsible for acquiring programming, including original short-form content created exclusively for the service, and relevant films and TV series from Lionsgate and other studios that cater to the various interests of the broad Comic-Con community. (The service, which is targeting a Q1 2016 launch, will also offer exclusive archived footage from the past 45 years of Comic-Con.)

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This article was originally posted on VideoInk and is reposted on [a]listdaily via a partnership with the news publication, which is the online video industry’s go-to source for breaking news, features, and industry analysis. Follow VideoInk on Twitter @VideoInkNews, or subscribe via thevideoink.com for the latest news and stories, delivered right to your inbox.

Hulu Bundles Up With Showtime’s Standalone Video Service

by Sahil Patel

Showtime’s standalone video service is coming to Hulu.

The two companies have formed a partnership that will give Hulu subscribers the opportunity to access Showtime’s service through their Hulu (formerly “Plus”) subscription account. Those who sign up will get a 30-day free access pass to Showtime, after which Showtime will cost $8.99 per month for Hulu subscribers. (If this sounds like a new type of pay-TV bundle for internet-TV customers, you’re not far off.)

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This article was originally posted on VideoInk and is reposted on [a]listdaily via a partnership with the news publication, which is the online video industry’s go-to source for breaking news, features, and industry analysis. Follow VideoInk on Twitter @VideoInkNews, or subscribe via thevideoink.com for the latest news and stories, delivered right to your inbox.