Snapchat’s ‘Our Stories’ Gaining Millions of Views

A new report from Giga Om indicates that those who share tales in the mobile app’s “Our Stories” feature are benefitting from a number of views. In fact, they’ve calculated somewhere in the millions.

The reporter who wrote the story explained that a friend sent a Snapchat screenshot, showing that someone’s contribution to the recent New York “Snowmageddon” event in the “Our Story” section has been viewed an estimated 25 million times, with users taking as many as 5,000 screenshots of the story.

Other “Our Story” contributors have also managed to get views that have counted over ten million, with one getting a record high 27 million views.

For those who aren’t familiar with how “Our Story” works, it basically enables a collection of “snaps” that are taken and submitted by users for certain events, including music festivals, weather happenings and holidays. These “snaps” last longer than usual ones, staying on the mobile app for as long a 24 hours before finishing.

27 million views for a single story is spectacular, especially considering that the statistic is almost right up there with television viewing. By comparison, AMC’s Breaking Bad registered 10.3 million viewers for the finale. (However, keep in mind that those estimates are tracked by Nielsen, and not entirely accurate.)

Snapchat followed up on the story, stating that the “Our Story” view number actually doesn’t see an increase from people who watch the story more than once. It actually estimates that, with the 27 million views, there are 27 million people that have seen it.

The company hasn’t reported official “Our Story” metrics as of yet, and couldn’t confirm the 27 million views. However, the Snapchat rep that the reporter spoke to did estimate that Snapchat has about one billion stories viewed daily, including individual users’ stories.

What’s unique about how “Our Story” works is that people can report on these screenshots and share them earlier in the day, and they can continue accumulating views over the 24 hour period, gaining popularity as they continue to do so.

More details on the Snowmageddon story, as well as insight from its author, can be found here. It looks like, with this and other “Our Story” submittals being popular, Snapchat may justify its high advertising price after all. Maybe.

#TheDress, Buzzfeed And The Brandwagon

Just after 6 p.m. Thursday, BuzzFeed posted what might be its single most-shared article ever (according to AdWeek): “What Colors Are This Dress.” The Buzzfeed staff had noticed that a Tumblr post from the user swiked was getting an unusual amount of traffic, reposted the picture and a simple comment: “There’s a lot of debate on Tumblr about this right now, and we need to settle it” and added a poll where people could vote on the color of the dress.

Less than a day later, the article had over 28 millions views, the poll had almost 3 million votes and the hashtag #TheDress and #whiteandgold {link no longer active} were trending on Twitter with both other publishers and brands jumping on the bandwagon.

Buzzfeed’s ability to tap into these kind of conversations and nudge them into that space where we begin to speak about it as a phenomenon is really the result of data-driven content creation optimized for consumption. What Buzzfeed does is make it simple for people to share and talk about something and its scale ensures that so many eyes will see. It’s as much about understanding internet culture and behavior as the data and building a vessel to capture the traffic. A post by writer and programmer Paul Ford on Medium summarizes it well: “(1) Putting people on two teams, (2) a hint of magic, and (3) some science.”

As the data tells us that debatable dress colors and escaped llamas are the conversation du jour, brands who wants to bottle this kind of “magic” further have to navigate the murky sea of whether or not the conversation is relevant to them as participating seems to be an engagement gold mine. While jumping on the brandwagon may be tempting, Ayzenberg’s VP of Social Media Rebecca Markarian warns that brands should pick their conversations wisely:

“There’s no reason for brands not to get in on the occasional internet sensation, but chose wisely.  Jumping in on trends can be risky so make sure you have a good idea, you’ve thought through possible negative reactions and your brand partner is aware and ready to take the risk. In this case, XboxCommunity and Sonic are all brands that made sense to have a little fun with the meme so we went for it and clearly the positive fan response tells us it was a smart move.”

At The Intersection Of Hollywood And VR, There Are Possibilities

by Sahil Patel

Does virtual reality have the potential to be a viable commercial platform for the entertainment industry  Maybe!

But first, there needs to be good content.

That’s the message passed on by those who are already active in the field — from the Hollywood studios and producers making VR content to the tech companies building and selling affordable VR devices. It’s the obvious answer, for sure, but also a necessary one: To achieve scale and monetization, first there needs to be videos that people want to watch.

“From a movie studio standpoint, we see VR as one iteration and one toolset for advancing the visual experience,” says Ted Schilowitz, who, as a “futurist” at Fox, is tasked with identifying emerging media platforms for the studio to be active on. Fox has already made some investments in VR, having produced content tied to movies as diverse as the sci-fi blockbuster The Maze Runner, the fantasy family comedy Night at the Museum: Secret of the Tomb, and the Reese Witherspoon-starring independent film Wild.

Read more…

 

Special Report: The Top Ten Gaming YouTubers

We’ve talked about YouTube’s top moneymakers in the past, as there are a number of areas where broadcasters and creators can amass a large audience – and make a fair amount of money in the process.

One of these areas is gaming, and for its latest video, ION has posted the list of the top ten gaming YouTubers, whether it’s posting walkthroughs or putting an original spin on their programming. The video is below, but we’ve posted a condensed list that gives you an idea who made the top ten.

In the number ten spot, KSIOlajidebt gets two to three million views a day, posting clips from FIFA and other sports games.

Number nine belongs to EIRubiusOMG, who covers a variety of independent and other titles, appealing to Spanish-speaking audiences. His personality certainly helps as well.

Just ahead at number eight is another Spanish-speaking YouTuber, JuegaGerman, whose walkthrough of popular titles earn more than four million views a day.

VanossGaming is in the number seven position, with over 500 million views of a month with a variety of titles being covered. That’s certainly quite impressive – and that’s just number seven.

The unconventional – and highly excited – Jacksepticeye comes in at number six, using his manic energy to bring in a large audience, with over one billion views overall.

Coming in at number five is TheDiamondMinecraft, who focuses solely on Minecraft shenanigans with two videos uploaded per day. The persistence is paying off, though, with over six million views a day.

At number four, MarkiplierGame, one of the veterans of Epic Gamer Voice, focuses on some of the worst games in the industry. It’s a good living, though, as he’s managed to achieve 100,000 new subscribers on a weekly basis.

Stampylonghead comes in at number three with over five million subscribers. Having two billion video views and counting doesn’t hurt either.

Another full time Minecraft creator, PopularMMOs, comes in at number two, with over 335,000 subscribers earned last month.

And, of course, coming in at number one is popular broadcaster PewDiePie, whose diverse content and personality has earned him over 100 million views on a weekly basis – and a paycheck that goes into the millions on a yearly basis to boot.

 

Pinterest Wants To Entice You With A New Ad Unit And App Discovery

If your Pinterest strategy has been on the backburner lately or even non-existent, the platform has been giving marketers more reason than ever to rethink how they are approaching it. On top of their continuous efforts to lure men-folk, Pinterest has exceptionally high user engagement rates and an average referral order from the site is $58.95.

In recent weeks, Pinterest has had some solid annoucements that show they are not only serious about monetization, but they are serious about how they are approaching brand involvement on the platform.

An Ad Unit Carousel

Accoridng to Digiday, Pinterest is now in the process of developing a new ad unit that acts like a multi-image carousel within one promoted pin. While it’s unclear right now as to when this ad unit will officially launch, we’re excited about how brands will be making use of this native interactive unit. So, Pinterest… how about that long-awaited ‘Buy’ button

Pinterest Wants You To Discover Apps, Too

This month, Pinterest has also been making great effort to get in on app marketing dollars by joining forces with Apple. Behold, App Pins, a new product that allows users to pin not just awesome photos of pies and cosplay costumes but apps, too. In a social move from left field, Apple will be creating Pin boards to highlight top apps.

Pinterest App Store Apple

 

 

 

Reaching For the Stars With YouTube

Over the past few years, YouTube has been able to create some unlikely superstars who have managed to amass a large audience within a limited period of time. After all, PewDiePie started out small but has become YouTube’s biggest sensation, making millions of dollars a year through posted videos and partnerships with other companies.

A new article from Digiday points out that even the smallest of video creators can gain celebrity status on the channel, with just the right amount of creativity. Although that doesn’t mean they’re rolling in millions, they can create a large, suitable audience in which to expand even further.

Take, for example, The Kloons, a group of YouTube sensations that have gained quite a following. The team has been working nearly five years on creating comedy sketches for the channel, and it appears to be paying off, with over 217,000 subscribers following them, and over 460,000 monthly video views across the two programs they post on a monthly basis. (This is according to research from YouTube analytics platform OpenSlate.)

The article explains that the Kloons are not “rolling money,” or “living the high life,” but they are on the verge of creating full-time work from their dream project.

Co-Kloon Greg Washburn noted, “It was just the right amount of naivety. We had no idea how to do it, which was perfect. I think if we knew how much of a shitshow it was going to be, if we had a snapshot of the next five years, we may have said no.” Instead, the team simply decided “let’s make our own thing.”

With the right amount of equipment (including suitable cameras and other technical gear), the team has managed to evolve its work into something more, although keeping its comic focus in check. As a result, the Kloons channel has gotten more than 23 million lifetime YouTube views, as well as a push through The Ellen Degeneres Show, where episodes of Sisters have aired.

“While all of that is awesome, it also doesn’t matter,” says Kloons co-partner Mitch Lewis. “You go through peaks and valleys. The first time you have a viral video is amazing, but that lasts about 24 hours, and then you’re right back where you were 24 hours ago…we’re very grateful for our recent success, and we’re enjoying it, but it’s important not to get too attached to it.”

The Kloons don’t necessarily want fame and fortune, only stability enough to keep their work going. The team actually works on other stuff in the meantime, as Lewis managed the official YouTube channel for The Tonight Show Starring Jimmy Fallon, and Washburn shoots video for clients.

The team decided not to join up with partners like Maker Studios and Fullscreen, instead trying to stay independent. “For some people, particularly if you have a massive following, you have to outsource some management aspects of all that, and you’re in a place to negotiate a deal that seems very fair,” said Lewis. “We’re a three-man team. We do have the resources to manage some of that stuff on our own. We’ve found that to be the best solution for us so far.

“We want to sell out; we just want to sell out smart. We want to work with companies where we can sleep all right at night.”

Check out The Kloons’ work on Sisters in the video below, in which a pair of 30 year old men lip-synch a conversation between two 60-year old women – with hilarious results. We certainly wish The Kloons the best of luck.

 

The Young Turks’ Cenk Uygur On Making Content for Facebook, Hulu And YouTube

by Jessica Klein

The Young Turks online news network is known for its huge YouTube presence — but, as with other creators on the world’s biggest video site, its future isn’t with YouTube alone. The network has started to distribute programming across other major online video hubs, including Hulu and, most recently, Facebook, with its latest series “Final Judgment,” which provides a spin on the biggest news stories from TYT boss Cenk Uygur.

Today, The Young Turks Network still make most of its revenue from YouTube, but according to Uygur, his strategy isn’t necessarily to keep things that way. Uygur spoke to us about making the online news network’s first series for the Facebook audience, and the network’s plans for news domination…

Why did you decide to produce your latest series, “Final Judgment,” for Facebook? What are the advantages of making the show for Facebook over YouTube (and vice versa)?

Facebook has shown an explosive growth in video and is probably number one in online news of any platform so it just made sense to make a news show specifically for that platform. Obviously, Facebook is king of sharing, so we wanted a platform for our brand that was built to share. YouTube, on the other hand, is wonderful for search and many other factors for online video.

“Final Judgment” is built for Facebook, but it airs concurrently on Facebook and YouTube.

Do you see Facebook as the most likely home to The Young Turks’ future video content?

We’re going to see how things develop. Obviously, there are several factors that will help determine this–view counts, scope of audience and community, and engagement, and then eventually revenue and sponsorship become deciding factors.

Read more…

This article was originally posted on VideoInk and is reposted on [a]listdaily via a partnership with the news publication, which is the online video industry’s go-to source for breaking news, features, and industry analysis. Follow VideoInk on Twitter @VideoInkNews, or subscribe via thevideoink.com for the latest news and stories, delivered right to your inbox.

YouTube Kids Focuses On Younger Demographic

Kids’ consumption of online media is certainly rising, as a report posted by Adweek indicates that children aged anywhere between 2 and 17 can spend a significant amount of time watching online media, along with typical television and other means of entertainment.

So, of course, it would make sense for a company like YouTube to launch a specific application that caters to kids — in this case, YouTube Kids. Available now for Android {link no longer active} and iOS, the app works as a hub for family-friendly content,” as the “first Google product built from the ground up with little ones in mind,” according to VentureBeat. A video showcasing the new app is featured below.

 

With the app, parents can rest at ease, as YouTube vows to provide programming for videos that are safe for kids to watch, without running into clips that aren’t suitable for them. This includes popular programming from Sesame Street, Reading Rainbow and other outlets. Match and science tutorials are included as well, providing an educational side of the channel, along with entertainment.

The shows are divided into four basic categories: Shows, Music, Learning and Explore, with an easy search engine that tracks down favorites, including Dreamworks shows and Mother Goose Club, among other popular types.

While YouTube is unsure of the app’s popularity, it did say that “the possibilities are endless as a child’s curiosity,” although it’s really up to parents’ judgment in terms of whether it will really take off.

However, if recent online viewing habits indicate anything, the channel has a great shot at success. Nielsen posted some numbers looking at the viewership habits of younger consumers, ranging across three different age groups. The chart can be found in full below, and reveals plenty of big numbers, such as how much kids’ TV viewing has changed by age over the years, and how they turn to a mobile device as a second screen.

In addition, the report breaks down popular web portals amongst age groups, including those of general interest, along with social networking, online games and kids’ entertainment websites.

YouTube should have no trouble slotting itself into this group — provided, again, that parents don’t mind letting their kids check the app out for themselves. However, the company is devoted to filtering the content so that it’s well-suited for younger viewers. “We’re as focused on kids’ safety as you are, so we’ve built the YouTube Kids app to be a family-friendly place to explore,” explained Shimrit Ben-Yair, YouTube Kids product manager — and a mother of two to boot.

CREATIVE: Honda Is At It Again On YouTube

Honda has really been showing off on YouTube lately. First, they had us absolutely enamoured with ‘The Other Side’ and then they got everyone a bit nostalgic for the Honda Oddysey with a bunch of videos featuring childhood toys. The car brand is proving it has a serious command of YouTube. So, it’s only appropriate that Honda challenge us all to a little game of… speed reading.

The ads reveal not one car, but three: The 2016 HR-V, Honda Jet and Honda Civic Type R, in a way that is subtle, elegant and makes a point. Moreover, the campaign is all about Honda’s company ethos: “a challenge to push themselves to improve while continuing to innovate.”

Can you ‘Keep Up’ Ready to go a little bit ‘Faster’ Or maybe that’s too small fry for you.